The director of the music video for the hit Pharrell Williams and Robin Thicke song Blurred Lines has died at the age of 63.
Diane Martel, who also worked with stars such as Beyoncé, Mariah Carey, Justin Timberlake and Miley Cyrus, died following a breast cancer diagnosis.
Her family said she died surrounded by her loved ones at the Memorial Sloan Kettering Hospital in New York on Thursday.
‘Diane passed away peacefully at Memorial Sloan Kettering Hospital – surrounded by friends and family – after a long battle with breast cancer,’ her family said in a statement.
‘She is survived by her Aunt, Gail Merrifield Papp (wife of Joseph Papp, founder of The Public Theatre), her three beloved, loyal cats (Poki, PopPop, PomPom) and many loving lifetime friends,’ the statement to Rolling Stone continued.
A born and bred New Yorker, Martel earned a trailblazing reputation in the music industry, known for her striking visuals and provocative videos.
The most discussed and controversial video in her catalogue is 2013’s Blurred Lines video, which has amassed over 900million views on YouTube.
Featuring a near-naked line-up of Emily Ratajkowski, Elle Evans, and Jessi M’Bengue, next to the fully-clothed male singers Thicke, Williams and TI, the raunchy music video sparked a pre-#MeToo debate.
Of the video, Martel US website Grantland: ‘It forces the men to feel playful and not at all like predators.
‘I directed the girls to look into the camera. This is very intentional and they do it most of the time; they are in the power position. I don’t think the video is sexist. The lyrics are ridiculous, the guys are silly as f***.’
The song itself spent 12 consecutive weeks at the top of the US Billboard Hot 100 chart.
Why was the Blurred Lines video controversial?
The lyrics of the Blurred Lines song focus on a woman in a nightclub who may or not be interested in R&B singer Thicke Thicke, prompting the Daily Beast to describe it as ‘rapey’ shortly after its release.
When the video was later unveiled, it became a lightning rod for criticism. The video sees the three men surrounded by scantily clad or topless models.
The backlash to the song was then intense: it was banned from being played on several UK university campuses, YouTube removed the explicit version of the video, and The Guardian dubbed it ‘the most controversial song of the decade’.
The debate over the song’s attitude to consent prompted Emily Ratajkowski to say: ‘I’m glad that people are criticising pop lyrics, because I think that’s an important thing to do.’
While Pharrell defended it at the time, he went on to say he was embarrassed by it in later years. ‘I realised that there are men who use that same language when taking advantage of a woman, and it doesn’t matter that that’s not my behaviour or the way I think about things,’ he told GQ. ‘It just matters how it affects women.’
Martel was also behind Miley Cyrus’s We Can’t Stop music video, which saw the former teen star shed her Disney image in favour of a blonde pixie cut and repeated twerking at a house party.
The two music videos from Martel then collided at the infamous 2013 MTV Video Music Awards, whenThicke and Cyrus performed their songs as a medley and made headlines for a suggestively used foam finger and yet more twerking.
Martel remained unfazed by the uproar the videos received, telling Rolling Stone that year: ‘My s*** is on point right now.
‘I do have to admit I like being provocative. That’s punk, that’s rock & roll, that’s hip-hop. It’s passionate. We’re not doing pharmaceutical ads.’
Martel was nominated for Best Direction at the VMAs once in 2005, sharing the nomination with Francis Lawrence for Jennifer Lopez’s Get Right music video.
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